Monday, May 12, 2008
I’m interested in the yell - the shock as a moment of compression and expansion, a release of energy. I’m interested in making bold, clear forms, in reacting against timidity. The yell/shout/exclamation is suggestive of animal characteristics - the oddity and violence of a frog inflating its air sac and the release of that air in a compressed burst which charges the space between. The power of waiting, a group which is poised in the edge of breaking a silence... each performer can be the one to disrupt the structure, balancing on the edge of a catastrophy. The yell as rawness, untrained vocalization. Anyone could make the sound without special knowledge or practice. The yell as a basic, unformed element of music which punctures. By altering factors slightly (extension, tonality) the yell can become pitched - it exists between noise and note. I’m interested in the balance between talking, exclaiming and singing. Crossing between the communicative and the aesthetic. Finding a base physicality which joins the act and the sound.
I’m interested in boldness, clarity, force, perceptual derangement, intentionality, spatial dispersion, emergent form, shifts, demanding durations, engagement, physicality, patterns, darkness, repetition, off-balance structures, tension, care, precision and wildness.